For those who enjoy this collaboration, other recommended tracks include:
The phrase (all the time) resonates deeply in a country where many face economic instability, political uncertainty, and personal trials. By proclaiming that God is needed not only in moments of crisis but also in times of abundance, the song counters the temptation to become self‑sufficient and forgetful of the Creator. It echoes biblical passages such as Psalm 121: “I lift up my eyes to the hills – where does my help come from? My help comes from the Lord, the Maker of heaven and earth.”
There is no aggressive brass section or frantic drumming here. Instead, the song swells gently into a worshipful climax where backing vocalists echo the lead refrain, creating a call-and-response that feels like a congregation agreeing in prayer. It is the kind of song that makes you close your eyes and raise a hand, not in celebration, but in surrender. For those who enjoy this collaboration, other recommended
The inclusion of Ernest Opoku Jnr, a titan in the Ghanaian gospel industry, elevates the song to another level. Known for his powerful voice and ability to connect with the heart of a song, Ernest Opoku Jnr brings a layer of vocal richness and spiritual intensity that is unmistakable. His harmonies and solo verses provide a beautiful contrast and complement to Akwasi Nyarko’s lead, creating a sonic experience that is both harmonious and impactful.
Often referred to as one of Ghana's "worship generals," Opoku Jnr is celebrated for his soaring vocal range, passionate ad-libs, and his capability to usher listeners into deep spiritual reflection. My help comes from the Lord, the Maker of heaven and earth
"I need You at all times... In my rising and my falling, In my weeping and my joy, Lord, I need You."
The arrangement typically follows a call‑and‑response pattern, a staple of Ghanaian gospel that invites listener participation. The tempo is moderate, allowing the lyrics to sink in, while the dynamics build gradually toward a climactic declaration of faith. The song’s production values reflect the growing professionalism of Ghana’s gospel music industry, which has seen a surge in high‑quality recordings and collaborations in recent years. The inclusion of Ernest Opoku Jnr, a titan
is more than a song; it is a spiritual confession set to melody. It reminds us that before we ask for blessings, breakthroughs, or deliverance, our fundamental posture as human beings should be one of neediness before our Creator.
While the entire song is a prayer, certain lines resonate deeply: